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IndieWire | Page indiewire

‘A House of Dynamite’ Editor Kirk Baxter on Why the Script ‘Frightened’ Him, but Also Felt Like It Was Written for Him

TCM Sets Full Evening of Programming to Honor Rob Reiner, Including Network Premiere of ‘The Princess Bride’

Warner Bros. Launches New ‘Contemporary’ Film Label Led by Departing Neon Exec Christian Parkes

‘My Hero Academia’ Is Over and We Won’t See Another Show Like It

Sundance Programmers Break Down a 2026 Lineup Filled with Comedies and Lots of Charli XCX

Autumn Durald Arkapaw Pays Tribute to Her Collaborators While Accepting IndieWire’s Impact Award

Quentin Tarantino Names His Top 10 Films of the Century, from ‘Black Hawk Down’ to ‘Midnight in Paris’

‘Hamnet’ Changes the Maggie O’Farrell Novel’s Approach to Time

Johnnie Burn Snuck Iambic Pentameter Into the Sound Design of ‘Hamnet’

The Hard Choices Public Media Institutions Are Facing Every Single Day

‘Stranger Things’ Season 5 Leaves You Wanting Less

‘Wicked: For Good’ Review: The Finale of a Needlessly Two-Part Movie Musical Adaptation Doesn’t Go Out on a High Note

Watch How ‘Pluribus’ Rigged a Pickup Truck to Torture Rhea Seehorn Specifically

The BBC’s Top Leaders Resigned with Nothing Less Than the Organization’s Survival in Mind

Joachim Trier Tells Us He’d Never ‘Begged an Actor’ to Work with Him Before — Until ‘Mr. Cinema’ Stellan Skarsgård

How Playful Camera Techniques in ‘Hedda’ Keep Pace with Tessa Thompson

‘The Love That Remains’ Trailer: ‘Godland’ Filmmaker Hlynur Pálmason Takes on Intimate Family Drama

‘Boorman and the Devil’ Review: This Deep Dive Into How ‘Exorcist II: The Heretic’ Spiraled Out of Control Deserves a Wide Release

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