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IndieWire | Page indiewire

‘Stranger Things’ Season 5 Leaves You Wanting Less

‘Wicked: For Good’ Review: The Finale of a Needlessly Two-Part Movie Musical Adaptation Doesn’t Go Out on a High Note

Watch How ‘Pluribus’ Rigged a Pickup Truck to Torture Rhea Seehorn Specifically

The BBC’s Top Leaders Resigned with Nothing Less Than the Organization’s Survival in Mind

Joachim Trier Tells Us He’d Never ‘Begged an Actor’ to Work with Him Before — Until ‘Mr. Cinema’ Stellan Skarsgård

How Playful Camera Techniques in ‘Hedda’ Keep Pace with Tessa Thompson

‘The Love That Remains’ Trailer: ‘Godland’ Filmmaker Hlynur Pálmason Takes on Intimate Family Drama

‘Boorman and the Devil’ Review: This Deep Dive Into How ‘Exorcist II: The Heretic’ Spiraled Out of Control Deserves a Wide Release

‘Every Heavy Thing’ and ‘Don’t Leave the Kids Alone’ Win Big at the 10th Brooklyn Horror Film Festival

Actor-Turned-Director Harris Dickinson and His Breakout Star Frank Dillane on Their Stunner ‘Urchin’

‘No Other Land’ Actually Did Have a Distribution Offer, but Its Filmmakers Rejected a Deal from MUBI

10 (More) Years of Shudder: What’s Next for the Scariest Brand in the Indie Film Business?

BAFTA North America’s Inaugural Honours Awards for TV, Film, and Video Games Now Won’t Roll Out Until Fall 2026

‘Mr. Scorsese’ Review: A Vivid, Studied, Enormously Entertaining Portrait of a Cinematic ‘Cornerstone’

How Did an X-Rated Movie Called ‘F*ck My Son!’ Become a Battleground for AI Misinformation?

Fierce Mothers: How Meiko Kaji and Pam Grier Birthed the Modern Action Heroine

The Wave Broke: How the Movies of the Early 1970s Crystallized the Cynical Individualism of the ‘Me Decade’

TIFF Pulls Invite for Documentary on Oct. 7 Attacks ‘The Road Between Us’

Martin Scorsese Joins Friends and Colleagues to Honor Jonathan Kaplan: ‘He Was a Very Special Filmmaker’

‘Garbo, by Joan Crawford’ — Rare BBC Documentary Resurfaces: Here’s How to Watch in the U.S.

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